As You Were, Vol. 2 Release

MEA is proud to present you with As You Were: The Military Review, Vol. 2. This publication is the culmination of hundreds of hours of work on the part of writers, artists, and our volunteer editors. Its poetry, fiction, non-fiction, and artwork represent nearly every living generation of veterans and individuals whose lives have been impacted by the military. “We hope you’re intrigued, touched, and even moved. Above all, we hope you enjoy.”

As You Were Cover

Help support our mission by disseminating this wonderful collection of veterans’ works!

Veteran Artist Tif Holmes Featured in New Juried Exhibition

Tif Holmes, a contributor to the second Journal of Military Experience and the cover artist of the upcoming Blue Falcon: A Journal of Military Fiction, is making headlines again. She had this to say about the inclusion of her work in a new exhibition:

Illuminance is a competitive juried exhibition that is open to artists nationwide using photographic processes as their media. This year’s theme is Experiencing Place: 

 There are certain places for all of us that go beyond the mundane. Many are very personal – the home where we grew up or the backyard fort that was home base for many an imaginary adventure. Other places are collectively special – the monuments of our nation’s capital, or exotic places we travel to, seeking refuge or discovery. What does it feel like to be in this place? Can you create an image that is emotional, atmospheric, that conveys your feelings about this special place? What makes it magical? Extraordinary?

The image I submitted is entitled “Transcendence.” It was taken during a theatrical show celebrating Anglo-Celtic and African American dance in The New World. The cast and musicians are all students who are active in the Vernacular Music Center at Texas Tech University, and I know most of them personally. It was exciting for me to photograph the rehearsals and the shows and to watch these individuals step into the roles they played and transport everyone around them to another place and time–one filled with story-telling, dancing, singing, and community. I remember going through the images at the end of one particular show and this one really stood out. It was clear to me that Emily, the dancer in the photograph, was not thinking about anything else in the world at that moment when the photograph was taken. She was dancing, she was free, she was happy. She had transcended the limitations of the physical world, and the dance was her vehicle. This, to me, is the perfect illustration of experiencing a magical, extraordinary place and sharing it with others.

 “Transcendence,” by Tif Holmes

Transcendence

The exhibit runs from June 25 – August 10, 2013 at the Buddy Holly Center in Lubbock, Texas. 

Tif Holmes is a photographer, writer, musician, educator, and former Soldier, among other things. Her work can be found online at tifholmes.com or on Facebook at facebook.com/tifholmes3.

The Arts and the Military: Dominic Fredianelli, by Tara Leigh Tappert

The work to launch the Arts and the Military/Arts, Military + Healing (AMH) week in the Washington, DC area this past May is beginning to do what we all had hoped it would do — the event is inspiring new and exciting ventures throughout the country, as well as bringing tremendous press coverage to the work of Combat Paper Project.

On view this fall were two Combat Paper Project exhibitions in galleries at two different campuses of the University of Maryland:

Click here and here to view the gallaries.

Denise Merringolo, a public history professor who teaches at the Baltimore campus, attended the AMH event at the Corcoran Gallery of Art and School of Art + Design.  Moved by the Combat Paper exhibition on view at the Corcoran, shortly thereafter she began pursuing the possibility of a show on the UMBC campus for the fall, 2012 semester.  Her show then propelled Jason Hughes, a student curator and artist on the College Park campus, to request another Combat Paper show for the Stamp Gallery in the student union.  On December 5, 2012, an amazing critique of the UMBC exhibit, written by Bret Mccabe, was published in the Baltimore City Paper.

Mccabe began his review with a piece created by veteran/artist Dominic Fredanielli who participated in the Corcoran’s Combat Paper Project workshop this past May.  The genesis of Dom’s involvement in the  Arts and the Military/AMH event began nearly a year earlier when I attended the 2011 Silverdocs film festival and saw the Emmy award winning Where Soldiers Come From.

Set in a small town in Northern Michigan, and in the mountains of Afghanistan, the film follows the four-year journey of childhood friends, including Dom, who return as 23-year-old veterans dealing with Traumatic Brain Injury (TBI) and PTSD.  While this documentary beautifully captures the coming of age of these young men, there is another story woven like a “red thread” through the film — the artwork of Dominic Fredianelli and how he uses art making to cope with his war experiences.  Care 4 Me . . . I’ll Remember You is the piece Dom made in the Corcoran’s Combat Paper Project workshop.  It is a memento mori to his friend Josh Wheeler who went to war but did not make his way through the trauma when he came back home.  Josh was killed in a car accident. He is acknowledged in the closing credits of Where Soldiers Come From, and also in Dom’s Care 4 Me . . . I’ll Remember You, an amazing image on Combat Paper that is now a part of the                         Combat Paper Project Exhibitions Collection.

Dominic is continuing to work as a practicing artist.  Since the Arts and the Military/AMH week he has created murals in Chicago and in Santa Barbara — the first for the National Veterans Art Museum and the second for the University of California at Santa Barbara.

We thank all our collaborators and sponsors who support the Arts and Military/AMH event, and whose mission is to help those service members and veterans dealing with both visible and invisible wounds of war.

Tara Leigh Tappert, JME Art Editor and Founder, The Arts and the Military.

Book Review: Untold Stories from Iraq and Afghanistan, by Clayton D. Murwin

Clayton D. Murwin serves as the sketch artist for The Journal of Military Experience. He is also the founder of the non-profit organization Heroes Fallen Studios who spends his free time creating portraits of the fallen for Gold Star Families. The third volume of the JME will be a collaborative effort with Heroes Fallen Studios’ Untold Stories from Iraq and Afghanistan, a compilation of veterans’ stories transformed in graphic art by leaders in the industry.

What follows is a sample from the first volume of Untold Stories provided to fans of the JME free of charge. We at the JME hope you enjoy the work and will consider supporting their cause by purchasing a copy of the first volume. To learn more about Untold Stories from Iraq and Afghanistan click on the link or any of the images below:

Click here to visit the Heroes Fallen Studios webpage

This is a true story based on Master SGT CJ Grishams personal account from one of his many tours in Iraq. The Cover art for the book was done by Nathan Thomas Milliner, with the forward by Larry Hama a Vietnam veteran and and GI Joe creator. Script was done by Tomm Gabbard, Pencil art & Inks by Joshua Labello, and lettering by Johnny Lowe. This is a heart felt story presented by MSGT Grisham who was a FSGT at the time these events occurred.It is his personal story of how he nearly Lost his Soul! Also you will see a few pinups that are also in the book. Also a Tribute to SPC Cody Grater who we honored in Volume one. And the back cover of the book is an ad for Force protection Industries with out whom this book would not have been published because the donated the entire amount we needed for printing cost. So I hope you enjoy this small sampling of our publication done to give our troops a voice and help try and bridge the gap between both civilian and military cultures.” –Clayton D. Murwin