AS YOU WERE: THE MILITARY REVIEW, Vol. 16 Released

MEA is proud to announce the release of As You Were: The Military Review, Vol. 16. This edition contains nearly thirty works in literary fiction, creative nonfiction, poetry, and artwork.

The writers, artists, and poets represented in this volume span the full spectrum of those impacted by military service – combat veterans, family members, or citizens who’ve felt the pull of history. They’ve all contributed fine additions to the literary and artistic canon surrounding military service.

Their work examines age-old questions and unravels new threads of thought. How have combat veterans of the Global War on Terror transitioned into parenting roles? What happens when romance is found while recovering from physical war wounds in a military hospital? What was it like for a little girl whose father returned from Vietnam a changed man? What was it like for a girl whose father did not come home from Vietnam at all? How did the US military’s policy of “Don’t Ask Don’t Tell” affect LGTBQ+ service members?

By exploring the works in this volume, readers will learn about some of these realities. Perhaps they will gain deeper understandings of the human condition generally, or as it pertains to military service specifically. Maybe a conversation will be struck up that wouldn’t have occurred before. And we can hope that it may inspire others to add their own voices to a robust conversation playing out in literature and the arts.

We’re glad to have the opportunity to share As You Were: The Military Review, Vol. 16 with you, whatever its impact may be.

AS YOU WERE: THE MILITARY REVIEW, Vol. 12 Released

Military Experience and the Arts is proud to announce the release of As You Were: The Military Review, Vol. 12 on Memorial Day, 2020. This edition contains fiction, nonfiction, poetry, and artwork from more than fifty writers, poets, and artists. There are debut works as well as the latest from more experienced artists. Several have worked with our editors to refine their works and enhance their skills and understanding in their chosen genres.

Together, the works contain material from WWI, WWII, Korea, the Cold War, Vietnam, Desert Storm, and the Global War on Terror. There are voices and visions from the perspectives of veterans, mothers and fathers, brothers and sisters, and neighbors and colleagues. Engaging with these works helps us bridge the gap between military and civilian cultures. Indeed, these works prove that those bridges are  built by creative expression.

We invite you to check out As You Were: The Military Review, Vol. 12 and share this edition. Thank you!

Release of AS YOU WERE: THE MILITARY REVIEW, Vol. 10

Military Experience and the Arts is proud to announce the release of As You Were: The Military Review, Vol. 10. This edition contains fiction, non-fiction, poetry, and artwork from three dozen writers, poets, and artists. Quite a few of them are being published for their first time. Several have undergone a revision process with our editorial team aimed at refining their work and learning more about their respective crafts.

Our audience can learn something from this edition as well. These works delve deeply into our wars, our service, and our lives at home. They explore the thoughts of Gold Star families, the wives of combat veterans, and the veterans themselves. The range of pieces covers  more than a hundred years of military experience. You will find people with whom you have much in common and others from which you can gain insight into new perspectives.

We invite you to read through Volume 10 and share this edition widely. Thank you!

Link: As You Were: The Military Review, Vol. 10



 

Do you want your work featured in an edition of As You Were? Interested in learning more about the craft? Our submissions for Volume 11 will run from July 1, 2019 to August 1, 2019.  Please see our Submissions page for more information.

Unfinished Lives

by Lieutenant Colonel (P) Zoltan Krompecher

We live in an age where some confuse heroes with entertainers, role models for charlatans, but remembering Americans who died in distant lands places perspective in sharper relief.

As a boy, I spent afternoons dashing around the neighborhood playing “Army” with friends.  Tree forts became castles, and passing cars were tanks to avoid at all costs.  Somewhere in our minds we were aware of Vietnam, but the neighborhood sheltered us until two names came to personify the war: Corporal Frank Miller and Lieutenant James Francis O’Laughlin.

Frank was the uncle of my best friend while James O ‘Laughlin was the father of another classmate.  Both Soldiers died in Vietnam.  Each representing link to Athens.  Every Memorial Day, I thought of them.  Decades later, I visited the Wall in Washington and etched their names.

Iraq and Afghanistan are my generations’ wars.  One autumn day I was told my friend Dave was killed in Iraq.  I was to escort him home.  I reflected on our time together at Fort Bragg. Fighting was the melody he danced to, and Dave knew the steps well, but he had a clean heart, too.  Ever the consummate warrior-scholar, Dave was a well-read Green Beret who helped children wherever he served, but life shifts in an instant. I remember how he set his jaw in grim determination when challenged and suppose that’s the look he had on the final day of his life when the sun boiled.  There was no manual instructing me what to say when his wife threw herself onto his casket.  The experience skinned my insides.

Some nights I stare at the stars and think of Bill, Laura, Ted, Justin (who grew up down the river in Coal Grove) and Drew.  They were the brave ones willing to lay it on the line when things got rough and now remain eternally young, preserved in the minds of those who knew them best.

When visiting their graves, I don’t blunt emotions or debate the logic behind the wars in which they fought…that is for other venues. What I see are patches of grass containing dreams of what might have been—Daddy/Daughter dances, games of catch, first days of school, walks down the aisle, and reunions.  Their unfinished lives moor me to the past while whispering the warning not to allow life to grow stale.  The cemetery is a confessional where secrets to my friends leak out of my mouth and the past grafts with the present.  But what of graves with no names and few visitors?

Just off to the right of the Fort Myer entrance to Arlington Cemetery stands a stone with a simple epigraph:

#8067

Unknown US Soldier

 

Behind this grave is number 8429.  Behind that stone is 8443.  Flanked on both sides are others.  Who knew these brave souls “Known but to God”? 8067 is buried in one of the Civil War sections.  Did this Soldier know my Great-Great-Uncle Eli who joined the Union at eighteen, saw action at Shiloh and died soon after?  I can only wonder.

On Memorial Day I try to make my friends’ sacrifices worthwhile by evaluating relationships, determined to fill the in-betweens of my life by doing better.

Each one of us has the capacity to make a difference: surprising our children at school lunch; calling old friends with whom we’ve lost contact; inviting neighbors or clergy for dinner; visiting retirement homes to listen to stories of times that disappear with each breath; or spending the day with a spouse.  Maybe it’s a simple “Hello” to one who least expects it.  Showing kindness and empathy to fellow Americans—even those with whom we disagree—is the least we can do for Frank Miller, James O’Laughlin, Soldier #8067 and others who left behind unfinished lives.

And so what’s the cost?  A moment of our time, that’s all.  And what some wouldn’t give for a moment.

 

 

Lieutenant Colonel (P) Zoltan Krompecher is an active-duty officer from Ohio.  He served in Iraq and Afghanistan and now lives near Washington D.C. with his family.  These views are his own.

 

(Featured Image: Giuseppe Pellicano / Left. Left. Left, Right, Left (2) / The Journal of Military Experience, Vol. 3)